LEWITT LCT 640 TS Twin System Reference Class Recording Microphone

Good range of accessories provided with the microphone leather bag to protect it from dust and damage, windproof for outdoor use; and lastly stand for microphone pole.

Perfect Match Technology

Adjustable drum microphone mount

Mic Line Amps Channel Strips

Highly accurate microphone for recording acoustic instruments and percussion

Possibility of swtich between AIR and FLAT characteristics

Black

1 piece

Included accessories shock mount, magnetic pop filter, windshield, and protective bag; designed in Austria

Connectivity technology XLR

BEST IN ITS CLASS Designed by LEWITT in Austria, this mic comes in a durable full-metal housing with a gold-plated XLR connector, guaranteeing longevity. Each microphone is individually measured, tested, and comes with a 30-day money-back guarantee plus 2 years warranty.

8 polarizations omni, cardioid, large cardioid, supercardioid, figure 8, reverse cardioid, broad reverse cardioid, reverse supercardioid shapes your sound in multiple modes a polar diagram affects the recorded "space" and the final result; varying polarity are not changing the recording directivity but also changes the frequency response and the result is a sound different made with the same microphone; it is also possible to have control of the proximity effect and reduce or increase it according to your need.pure sound modeling; flexibility creativity in recording voice and instruments; the design sent to the opening, modeling and giving of your personality to the recorded result; the very natural response and high dynamics always guarantee high technical performance; each session with lct 441 flex will be an extraordinary result

Record Your Vocals, Detailed And Clear; Its Condenser Capsule Provides High Clarity While Adding Power To Your Voice; What You Get Is Studio Sound Right Away

The best stereo matching you can get

Foam Windscreen

1 piece

Mic Line Amps Channel Strips

Ideal for instrument recordings

1 piece

Clipping indicator, low-cut (lin, 80 Hz, 160 Hz), and pre-attenuation (0 dB, -6 dB, -12 dB)